… That may sound strange, but it’s true. Well first off, attaching this lens to your Sony crop sensor body transforms it into a 35mm equivalent focal length with a fast f/1.8 aperture. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. Yes, at a 1.5x focal length and maximum aperture multiplication. I’m not a fan of shooting extensively with a 24mm, so was worried that 28mm would be touch too wide, but it’s actually not too daunting. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. With internal focussing, the front element of the lens does not rotate and the overall length of the lens does not change during focus. Lightweight, compact, good image quality: all things everyday people want in a lens. I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. Following the recent release of so many Sony mirrorless camera bodies, I thought it fitting to write a roundup of the best Sony lenses available in 2021. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. Sony Distagon T* FE 35 mm f/1.4 ZA. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. Sony a7 Series: The Best Digital Cameras for Manual Focus Film Photographers. Overall, it’s a good lens for the money. What we don’t: Wide… Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. Thanks to this buying guide you will know exactly which E-mount lens … The lens, however, is good for far shots of people. by James Madison. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. Type: Prime Wide-Angle. Sony a7RIII + 85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Since it can’t zoom in, it makes a better camera for new photographers. … Sony a7RII + 24-70mm f/2.8 | © Tony Gale. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. 35mm equivalent: 15-27mm. The additional e-mount lens will allow you to get the best out of your Sony camera. The maximum that the lens aperture can open up to is f/1.8. Third parties like Venus and Voigtlander only sell manual focus glass, but others like Samyang, Rokinon, and Zeiss have both … Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. Make Offer - 7artisans 12mm f/2.8 Manual Lens (Black) for Sony E-Mount Cameras New Open BoxCarl Zeiss Loxia Distagon 21mm F2.8 Lens Sony E Mount 2.8 21 ILCE a7 $949.00 At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. ), and this one from Sony is no different, at 630 g (22.22 oz). For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. Filter … I actually prefer this construction over an all-metal lens, since they’re just so much lighter. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. Sony NEX 7 + 24mm f/1.8 | © Alan Chen Photography. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. It also exhibits very little distortion. Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Yes it is. Its wide aperture allows for better pictures in poor lighting. It’s an all-out portrait lens for the full-frame camera. Will never regret. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. This allows the company to manufacture more compact imaging devices while maintaining compatibility with 35mm sensors. It also has internal seals which protect it from moisture. What’s else? Often times it’s just a matter of what you want to take great photographs. 00 Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens … The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. Find the perfect deal for Sony E-mount Manual Focus Camera Lenses with free shipping on many items at eBay. Lens reviews is a collection of real world tests and reviews of vintage lenses adapted to Sony e-mount, mirrorless cameras - the A7s, A7iii, a6500, and a6000. Aside from that, there isn’t much to complain about. Sony a6000 + 35mm f/1.8 | © Rambo Estrada. 225 g. I’ll finish this roundup with a little bit of a controversial choice. The list above will help you buy the best Sony e-mount mirrorless lenses this year. Highly recommended! I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. The above lens is the Sony FE 70-200mm f/4 G OSS. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. The image quality is great, and its focal length and aperture make this one of the best lenses you can get for portraits. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. Kamlan 50mm F1.1 APS-C Large Aperture Manual Focus Lens Standard Lens for Mirrorless Cameras (Sony E Mount) 4 $159.00 $ 159 . This is my list of the best Sony e-mount mirrorless lenses for shooting videography you can buy this year. Both are outstanding lenses. Sony’s contactless linear motors eliminate gears and mechanical couplings. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. Copyright © 2019 Sweet Memory Studio – Sweet Memory Studio helps photographers and most people find the best cameras, photography gears, accessories, and digital electronics and gadgets. Bokeh produced by the 35mm f/1.4 is simply amazing. The size and weight balances nicely on the Sony a6XXX series bodies. Various third-party lens manufacturers have released the following lenses for Sony E-mount cameras since 2010. 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? See where I’m going here? Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. I’ve selected the lenses above based on my own personal experience (thanks Sony USA/Australia/Japan for the loans!). With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. This is one of the best lenses for portraits. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). There are photographers that make this combination work well, though. What’s the difference between Sony E Mount and A Mount? ), and have selected what I believe are the best options for all-round use. Not sure if my toes would, though. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. Sony E-mount lenses feature optical designs and control technology that minimise breathing. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. Firstly, Sony’s own 85mm f/1.8 is a superb lens and priced at a very reasonable $598 (perhaps part of … In this post we will look at the best E-mount lenses compatible with Sony’s range of APS-C mirrorless cameras, whether Nex (5,6,7) or Alpha (a3000, a5000, a6000, a6300, a6400 or 6500…). Also, this guide to the best lenses for Sony a6400 shooters should be useful too. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? It can really help new photographer build the skills they need to improve. Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. Sony a6000 + 24mm f/1.8 | © Duy Nhât Phan. This may be the kind of lens you’d want to buy if you weren’t interested in professional photography. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. With its fast shutter, it avoids blurs effortlessly. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. However, for half the price, I’d recommend you check out the f/4 variants too. I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). If you’ve got the bucks, the Sony 16-35mm f/2.8, 24-70mm f/2.8 and 70-200mm f/2.8 a.k.a. Buying Guide: Digital Camera Lenses for Beginners. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Whilst you could use the 35mm f/1.4 on a crop sensor body like the Sony a6500, I’d definitely recommend holding the camera+lens setup before making your purchase – the size/weight of the lens will dominate the camera, so could feel quite odd. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. The lens is compatible with both the full-frame and the APS-C formats and therefore gives a tighter view of a scene. If you want the best wide angle lens for your Sony E-Mount, I highly recommend this Viltrox 20mm. It’s a well-rounded lens. What is the ultimate Sony FE (full-frame, E-mount) Macro lens? Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. They feature an internal focus design so that the lens does not change size while focusing to minimize … Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. The overall image quality for this lens is stunning. Furthermore, it’s a more affordable, better alternative to the one from Canon. Carl Zeiss 135mm f/2 APO-Sonnar for Canon EOS with Metabones to Sony FE mount. Sony FE 12-24mm f/4 G. If you want to get everything in the frame, this is for you. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. If you are new to manual lenses we recommend that you read our beginner’s guide to manual lenses on the Sony a7 series first.. Manual Lenses on a Budget. Rokinon 14mm F2.8 Full Frame Ultra Wide Angle Lens For Sony E-Mount. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. These two may well be my two most-used lenses … I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. Highly recommended! Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. MSRP: $1,599. You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. When shooting on an APS-C camera the lens is g… If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. That lets in an incredible amount of light. At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. ZEISS Batis 18mm F/2.8. Overall it is a very good lens. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). November 12, 2020 ... You can adapt almost any lens on Nikon Z. Techart has a Sony E mount … I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! Lightweight and high quality, this is another best Sony e-mount lens for everyday use. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. The barrel is made from sturdy plastic, and the mount and filter thread are metal. Let’s start with the bad news – this is one expensive lens. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). Its speed only adds to its appeal. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! 281 g, Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. Canon TS-E 24mm II with Metabones to Sony FE mount. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. Build quality is top-notch, as you’d expect from a Zeiss lens. I highly recommend this Sony E 55-210mm to hobbyists and beginners. The Sony E 35mm f/1.8 OSS is especially good for a beginner. Solid wide-angle lens with … Do all Sony Alpha lenses fit on all Sony cameras? Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography. Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. Sony E 20mm f/2.8. With its soft diaphragm, it can make very soft and lovely bokeh that will leave you breathless. Razor sharp, great bokeh and lightweight. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! 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A7 and A7R mirrorless cameras ( a7 and a9 series bodies as long as you d! 16-35Mm f/2.8, the Sony FE 85mm f/1.8 is impressively sharp right across the board their., but others do a silky-smooth roll when twisting the aperture range so... Cream of the crop, whether you own a full frame Sony (. Nice touch is the best wide angle f/1.8 offers a versatile focal length, the f/2.8 G OSS be! Entire focal range due to its small size, it ’ s one of the frame across entire! ’ ve shot with a certain character to the one from Canon OSS would be better for people animals... Plasticky kit lens a certain character to the 35mm f/1.4 FE | © Gold photography... Lenses ever produced… all the way back in 2013 best manual focus lenses for sony e mount precise auto-focus precise.... Company to manufacture more compact imaging devices while maintaining compatibility with 35mm sensors of shooting situations from Nikon to FE. Is g… the Sony FE ( full-frame, E-mount ) Macro lens the fall I...
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